Summer of Love 1967 by Retrodrome
Summer of Love 1967 by Retrodrome distils the psychedelic optimism of the San Francisco counterculture into clean Bauhaus geometry. The composition balances symmetrical forms with a vibrant, period-authentic palette — electric blues, warm pinks, and flower motifs — creating a graphic tension between order and celebration. It reads simultaneously as historical homage and confident contemporary design, with none of the visual noise of actual 1967 ephemera.
On cotton canvas, the Bauhaus-psychedelic composition gains warmth without losing its graphic clarity. The weave deepens the electric blues and warm pinks and softens the symmetrical forms into a surface with real tactile depth. As a canvas print, the period homage reads as painted geometry rather than printed poster — still confident, still clean, but grounded in the texture of a genuine wall object.
More Images
Summer of Love 1967 by Retrodrome
Summer of Love 1967 by Retrodrome distils the psychedelic optimism of the San Francisco counterculture into clean Bauhaus geometry. The composition balances symmetrical forms with a vibrant, period-authentic palette — electric blues, warm pinks, and flower motifs — creating a graphic tension between order and celebration. It reads simultaneously as historical homage and confident contemporary design, with none of the visual noise of actual 1967 ephemera.
On cotton canvas, the Bauhaus-psychedelic composition gains warmth without losing its graphic clarity. The weave deepens the electric blues and warm pinks and softens the symmetrical forms into a surface with real tactile depth. As a canvas print, the period homage reads as painted geometry rather than printed poster — still confident, still clean, but grounded in the texture of a genuine wall object.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Summer of Love 1967 by Retrodrome distils the psychedelic optimism of the San Francisco counterculture into clean Bauhaus geometry. The composition balances symmetrical forms with a vibrant, period-authentic palette — electric blues, warm pinks, and flower motifs — creating a graphic tension between order and celebration. It reads simultaneously as historical homage and confident contemporary design, with none of the visual noise of actual 1967 ephemera.
On cotton canvas, the Bauhaus-psychedelic composition gains warmth without losing its graphic clarity. The weave deepens the electric blues and warm pinks and softens the symmetrical forms into a surface with real tactile depth. As a canvas print, the period homage reads as painted geometry rather than printed poster — still confident, still clean, but grounded in the texture of a genuine wall object.
