Woman after bath 1920 by Gōyo Hashiguchi
Dated to 1920, this shin-hanga print stands among Hashiguchi's most considered works. The figure — a woman absorbed in the quiet ritual after bathing — is rendered with a restrained palette of cool blues and soft naturalistic flesh tones. Hashiguchi's characteristic fine outline defines the silhouette while allowing the colour fields to breathe, creating a sense of atmospheric depth unusual in woodblock printing of the period. The composition's vertical format and minimal background keep the viewer's attention entirely on the subject's posture and expression.
Produced as an archival fine art print in our Berlin studio, the intricate colour layering and fine linework of this 1920 composition come through with full clarity on matte fine art paper — nothing lost, nothing softened.
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Woman after bath 1920 by Gōyo Hashiguchi
Dated to 1920, this shin-hanga print stands among Hashiguchi's most considered works. The figure — a woman absorbed in the quiet ritual after bathing — is rendered with a restrained palette of cool blues and soft naturalistic flesh tones. Hashiguchi's characteristic fine outline defines the silhouette while allowing the colour fields to breathe, creating a sense of atmospheric depth unusual in woodblock printing of the period. The composition's vertical format and minimal background keep the viewer's attention entirely on the subject's posture and expression.
Produced as an archival fine art print in our Berlin studio, the intricate colour layering and fine linework of this 1920 composition come through with full clarity on matte fine art paper — nothing lost, nothing softened.
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Dated to 1920, this shin-hanga print stands among Hashiguchi's most considered works. The figure — a woman absorbed in the quiet ritual after bathing — is rendered with a restrained palette of cool blues and soft naturalistic flesh tones. Hashiguchi's characteristic fine outline defines the silhouette while allowing the colour fields to breathe, creating a sense of atmospheric depth unusual in woodblock printing of the period. The composition's vertical format and minimal background keep the viewer's attention entirely on the subject's posture and expression.
Produced as an archival fine art print in our Berlin studio, the intricate colour layering and fine linework of this 1920 composition come through with full clarity on matte fine art paper — nothing lost, nothing softened.
