Renaissance Nr 7 by Owen Jones
From Owen Jones' The Grammar of Ornament, Renaissance Nr 7 documents the decorative vocabulary of 16th-century European design with characteristic rigour. Interlacing foliate forms, arabesques, and cartouche-like frames are rendered in precise flat colour — rich reds, golds, and cool blues arranged in symmetrical repeat. Jones approached historical ornament as a designer, not merely a historian: each plate is as much a proposal as a record. The result is a composition that feels simultaneously archival and alive, governed by pattern logic that has never really gone out of use.
On canvas, the illustration's intricate linework and layered colour are deepened by the woven texture, adding warmth to what could otherwise read as purely graphic. A considered piece for any interior. Hand-produced in Berlin.
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Renaissance Nr 7 by Owen Jones
From Owen Jones' The Grammar of Ornament, Renaissance Nr 7 documents the decorative vocabulary of 16th-century European design with characteristic rigour. Interlacing foliate forms, arabesques, and cartouche-like frames are rendered in precise flat colour — rich reds, golds, and cool blues arranged in symmetrical repeat. Jones approached historical ornament as a designer, not merely a historian: each plate is as much a proposal as a record. The result is a composition that feels simultaneously archival and alive, governed by pattern logic that has never really gone out of use.
On canvas, the illustration's intricate linework and layered colour are deepened by the woven texture, adding warmth to what could otherwise read as purely graphic. A considered piece for any interior. Hand-produced in Berlin.
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From Owen Jones' The Grammar of Ornament, Renaissance Nr 7 documents the decorative vocabulary of 16th-century European design with characteristic rigour. Interlacing foliate forms, arabesques, and cartouche-like frames are rendered in precise flat colour — rich reds, golds, and cool blues arranged in symmetrical repeat. Jones approached historical ornament as a designer, not merely a historian: each plate is as much a proposal as a record. The result is a composition that feels simultaneously archival and alive, governed by pattern logic that has never really gone out of use.
On canvas, the illustration's intricate linework and layered colour are deepened by the woven texture, adding warmth to what could otherwise read as purely graphic. A considered piece for any interior. Hand-produced in Berlin.
