Pomme by Pascal Marlin

Pomme reduces the apple to its essential geometry — a round, weighted form suspended in a field of saturated colour. Marlin's approach is neither still life tradition nor pure abstraction but something between: the subject is recognisable, yet the treatment prioritises chromatic tension and compositional balance over fidelity. Bold, clean passages of paint define the form with confidence, making Pomme as much a study in colour relationship as a depiction of fruit.

On canvas, Marlin's saturated palette gains a richness and depth that makes each tone vibrate against its neighbour. The woven surface adds tactile warmth to the work's already physical presence, making this canvas print a striking and intimate piece.