Place de la Concorde by Piet Mondrian
Painted after Mondrian's move to New York, Place de la Concorde marks a turning point in his grid language. Here the black lines become free-floating segments rather than continuous borders, and colour begins to occupy the lines themselves rather than only the fields between them. The composition feels open and almost architectural — less like a closed system and more like a fragment of an infinite urban grid seen from above. It bridges his classical Neoplasticism and the syncopated energy of his later Broadway Boogie-Woogie period.
Produced in our Berlin studio using archival pigment inks on cotton canvas, this canvas print captures the work's open linework and spatial lightness with real textural presence. The woven surface adds warmth and depth, making this a canvas art print that rewards close viewing as much as it commands from a distance.
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Place de la Concorde by Piet Mondrian
Painted after Mondrian's move to New York, Place de la Concorde marks a turning point in his grid language. Here the black lines become free-floating segments rather than continuous borders, and colour begins to occupy the lines themselves rather than only the fields between them. The composition feels open and almost architectural — less like a closed system and more like a fragment of an infinite urban grid seen from above. It bridges his classical Neoplasticism and the syncopated energy of his later Broadway Boogie-Woogie period.
Produced in our Berlin studio using archival pigment inks on cotton canvas, this canvas print captures the work's open linework and spatial lightness with real textural presence. The woven surface adds warmth and depth, making this a canvas art print that rewards close viewing as much as it commands from a distance.
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Painted after Mondrian's move to New York, Place de la Concorde marks a turning point in his grid language. Here the black lines become free-floating segments rather than continuous borders, and colour begins to occupy the lines themselves rather than only the fields between them. The composition feels open and almost architectural — less like a closed system and more like a fragment of an infinite urban grid seen from above. It bridges his classical Neoplasticism and the syncopated energy of his later Broadway Boogie-Woogie period.
Produced in our Berlin studio using archival pigment inks on cotton canvas, this canvas print captures the work's open linework and spatial lightness with real textural presence. The woven surface adds warmth and depth, making this a canvas art print that rewards close viewing as much as it commands from a distance.
