Lichtkreise - Kosmischer Regenbogen by Otto Freundlich
Lichtkreise – Kosmischer Regenbogen is a luminous example of Freundlich's geometric abstraction: interlocking circles of saturated colour radiate outward like a cosmic mandala, each segment a self-contained tone yet inseparable from the whole. The composition draws on both Cubist structure and Expressionist intensity, building rhythm through adjacency rather than line. There is no hierarchy — only a democratic field of colour that vibrates with internal tension and strange calm, placing this work among the most daring early abstractions of the 20th century.
Printed as an archival fine art print in our Berlin studio, this work rewards close attention — sharp edges between colour fields render Freundlich's mosaic logic with exceptional clarity, and every tonal shift reads exactly as intended.
Original: $17.42
-65%$17.42
$6.10More Images
Lichtkreise - Kosmischer Regenbogen by Otto Freundlich
Lichtkreise – Kosmischer Regenbogen is a luminous example of Freundlich's geometric abstraction: interlocking circles of saturated colour radiate outward like a cosmic mandala, each segment a self-contained tone yet inseparable from the whole. The composition draws on both Cubist structure and Expressionist intensity, building rhythm through adjacency rather than line. There is no hierarchy — only a democratic field of colour that vibrates with internal tension and strange calm, placing this work among the most daring early abstractions of the 20th century.
Printed as an archival fine art print in our Berlin studio, this work rewards close attention — sharp edges between colour fields render Freundlich's mosaic logic with exceptional clarity, and every tonal shift reads exactly as intended.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Lichtkreise – Kosmischer Regenbogen is a luminous example of Freundlich's geometric abstraction: interlocking circles of saturated colour radiate outward like a cosmic mandala, each segment a self-contained tone yet inseparable from the whole. The composition draws on both Cubist structure and Expressionist intensity, building rhythm through adjacency rather than line. There is no hierarchy — only a democratic field of colour that vibrates with internal tension and strange calm, placing this work among the most daring early abstractions of the 20th century.
Printed as an archival fine art print in our Berlin studio, this work rewards close attention — sharp edges between colour fields render Freundlich's mosaic logic with exceptional clarity, and every tonal shift reads exactly as intended.
