Imperial Fritillaries in a Copper Vase by Van Gogh
Imperial Fritillaries in a Copper Vase is one of Van Gogh's quieter but most technically assured still lifes, painted in Paris in 1887 under the influence of Japanese woodblock prints. The crown imperial flowers — intricate, downward-facing bells — are arranged with a directness that borders on the botanical, yet rendered with the loaded, textured brushstroke that is unmistakably his. The copper vase anchors the composition with warm metallic tones against a muted background, allowing the orange-red and green of the blooms to assert themselves without contest. It is a painting of close observation and restrained emotional intensity.
Printed as an archival fine art print, Van Gogh's characteristic impasto texture and rich colour relationships are captured with full tonal depth on matte paper. Fine detail in the petals and brushwork holds precisely across all formats.
Original: $17.42
-65%$17.42
$6.10More Images
Imperial Fritillaries in a Copper Vase by Van Gogh
Imperial Fritillaries in a Copper Vase is one of Van Gogh's quieter but most technically assured still lifes, painted in Paris in 1887 under the influence of Japanese woodblock prints. The crown imperial flowers — intricate, downward-facing bells — are arranged with a directness that borders on the botanical, yet rendered with the loaded, textured brushstroke that is unmistakably his. The copper vase anchors the composition with warm metallic tones against a muted background, allowing the orange-red and green of the blooms to assert themselves without contest. It is a painting of close observation and restrained emotional intensity.
Printed as an archival fine art print, Van Gogh's characteristic impasto texture and rich colour relationships are captured with full tonal depth on matte paper. Fine detail in the petals and brushwork holds precisely across all formats.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Imperial Fritillaries in a Copper Vase is one of Van Gogh's quieter but most technically assured still lifes, painted in Paris in 1887 under the influence of Japanese woodblock prints. The crown imperial flowers — intricate, downward-facing bells — are arranged with a directness that borders on the botanical, yet rendered with the loaded, textured brushstroke that is unmistakably his. The copper vase anchors the composition with warm metallic tones against a muted background, allowing the orange-red and green of the blooms to assert themselves without contest. It is a painting of close observation and restrained emotional intensity.
Printed as an archival fine art print, Van Gogh's characteristic impasto texture and rich colour relationships are captured with full tonal depth on matte paper. Fine detail in the petals and brushwork holds precisely across all formats.
