Hilma Af Klint Exhibition The Swan Nr 12
The Swan Nr 12 belongs to af Klint's Swan series from 1914–1915, a sequence of paintings exploring duality through the mirrored image of two swans — one dark, one light — locked in a slow rotation around a shared center. By the twelfth painting in the series, the two forms have merged: boundaries blur, the distinction between opposites dissolves into a single unified shape. It is one of the most resolved and quietly radical compositions in af Klint's work, its biomorphic symmetry anticipating developments in abstract art by decades.
This exhibition-format fine art print pairs the original composition with clean typographic framing in the tradition of museum retrospective posters. Printed in our Berlin studio on archival fine art paper, the dark-light contrast and soft organic contours print with the depth and fidelity the image deserves.
More Images
Hilma Af Klint Exhibition The Swan Nr 12
The Swan Nr 12 belongs to af Klint's Swan series from 1914–1915, a sequence of paintings exploring duality through the mirrored image of two swans — one dark, one light — locked in a slow rotation around a shared center. By the twelfth painting in the series, the two forms have merged: boundaries blur, the distinction between opposites dissolves into a single unified shape. It is one of the most resolved and quietly radical compositions in af Klint's work, its biomorphic symmetry anticipating developments in abstract art by decades.
This exhibition-format fine art print pairs the original composition with clean typographic framing in the tradition of museum retrospective posters. Printed in our Berlin studio on archival fine art paper, the dark-light contrast and soft organic contours print with the depth and fidelity the image deserves.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The Swan Nr 12 belongs to af Klint's Swan series from 1914–1915, a sequence of paintings exploring duality through the mirrored image of two swans — one dark, one light — locked in a slow rotation around a shared center. By the twelfth painting in the series, the two forms have merged: boundaries blur, the distinction between opposites dissolves into a single unified shape. It is one of the most resolved and quietly radical compositions in af Klint's work, its biomorphic symmetry anticipating developments in abstract art by decades.
This exhibition-format fine art print pairs the original composition with clean typographic framing in the tradition of museum retrospective posters. Printed in our Berlin studio on archival fine art paper, the dark-light contrast and soft organic contours print with the depth and fidelity the image deserves.
