Hilma Af Klint Exhibition Buddha´s Standpoint Nr 3
Buddha's Standpoint Nr 3 is drawn from af Klint's Paintings for the Temple series, a body of work she began in 1906 under what she described as automatic direction — produced in sessions of intense concentration, often alone in her studio. The composition presents a central form surrounded by symbolic geometry: concave and convex shapes, color-coded fields, and recurring motifs drawn from her study of Theosophy and Eastern philosophy. The palette is warmer here than in the Altarpiece series, the mood less austere, more generative — as if the image is oriented toward growth rather than judgment.
This archival fine art print renders af Klint's layered color work and graphic precision with full fidelity. Printed in our Berlin studio on premium fine art paper, the warm tones and organic curves hold their softness while every contour stays clean and sharp.
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Hilma Af Klint Exhibition Buddha´s Standpoint Nr 3
Buddha's Standpoint Nr 3 is drawn from af Klint's Paintings for the Temple series, a body of work she began in 1906 under what she described as automatic direction — produced in sessions of intense concentration, often alone in her studio. The composition presents a central form surrounded by symbolic geometry: concave and convex shapes, color-coded fields, and recurring motifs drawn from her study of Theosophy and Eastern philosophy. The palette is warmer here than in the Altarpiece series, the mood less austere, more generative — as if the image is oriented toward growth rather than judgment.
This archival fine art print renders af Klint's layered color work and graphic precision with full fidelity. Printed in our Berlin studio on premium fine art paper, the warm tones and organic curves hold their softness while every contour stays clean and sharp.
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Buddha's Standpoint Nr 3 is drawn from af Klint's Paintings for the Temple series, a body of work she began in 1906 under what she described as automatic direction — produced in sessions of intense concentration, often alone in her studio. The composition presents a central form surrounded by symbolic geometry: concave and convex shapes, color-coded fields, and recurring motifs drawn from her study of Theosophy and Eastern philosophy. The palette is warmer here than in the Altarpiece series, the mood less austere, more generative — as if the image is oriented toward growth rather than judgment.
This archival fine art print renders af Klint's layered color work and graphic precision with full fidelity. Printed in our Berlin studio on premium fine art paper, the warm tones and organic curves hold their softness while every contour stays clean and sharp.
