Egyptian Nr 2 by Owen Jones
The second Egyptian plate from Owen Jones' Grammar of Ornament continues his meticulous survey of ancient decorative systems. Painted ceiling patterns, hieroglyphic friezes, and sculpted surface ornament are documented side by side, rendered in the characteristic palette of lapis, ochre, and burnt red that Jones extracted from primary sources. The composition reads both as scholarly record and visual spectacle — an argument, made in colour and line, that ancient Egyptian design remains one of the most sophisticated ornamental traditions in history.
Carefully restored and produced in our Berlin studio as a fine art print, the tight geometric patterning and layered colour of Jones' original lithograph render with exceptional sharpness. The matte surface captures every detail of this intricate archival illustration.
Original: $17.42
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Egyptian Nr 2 by Owen Jones
The second Egyptian plate from Owen Jones' Grammar of Ornament continues his meticulous survey of ancient decorative systems. Painted ceiling patterns, hieroglyphic friezes, and sculpted surface ornament are documented side by side, rendered in the characteristic palette of lapis, ochre, and burnt red that Jones extracted from primary sources. The composition reads both as scholarly record and visual spectacle — an argument, made in colour and line, that ancient Egyptian design remains one of the most sophisticated ornamental traditions in history.
Carefully restored and produced in our Berlin studio as a fine art print, the tight geometric patterning and layered colour of Jones' original lithograph render with exceptional sharpness. The matte surface captures every detail of this intricate archival illustration.
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The second Egyptian plate from Owen Jones' Grammar of Ornament continues his meticulous survey of ancient decorative systems. Painted ceiling patterns, hieroglyphic friezes, and sculpted surface ornament are documented side by side, rendered in the characteristic palette of lapis, ochre, and burnt red that Jones extracted from primary sources. The composition reads both as scholarly record and visual spectacle — an argument, made in colour and line, that ancient Egyptian design remains one of the most sophisticated ornamental traditions in history.
Carefully restored and produced in our Berlin studio as a fine art print, the tight geometric patterning and layered colour of Jones' original lithograph render with exceptional sharpness. The matte surface captures every detail of this intricate archival illustration.
