Composition No. 4 with red and blue by Piet Mondrian
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Composition No. 4 with red and blue by Piet Mondrian

Composition No. 4 with red and blue by Piet Mondrian

Composition No. 4 with Red and Blue is a measured dialogue between two primaries held apart by Mondrian's characteristic black grid. The red and blue rectangles are placed with the exactness of a mathematical proof — neither dominating, both answering. White planes breathe between them, giving the composition its sense of suspended balance. It is a textbook moment of Neoplasticism: colour reduced to essence, form reduced to right angles, emotion stripped of everything personal.

Produced as an archival fine art print in our Berlin studio, the hard geometry and flat primaries come through with full sharpness and clean line definition throughout.

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Original: $17.42

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Composition No. 4 with red and blue by Piet Mondrian

$17.42

$6.10

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Composition No. 4 with red and blue by Piet Mondrian - Image 4
Composition No. 4 with red and blue by Piet Mondrian - Image 5
Composition No. 4 with red and blue by Piet Mondrian - Image 6
Composition No. 4 with red and blue by Piet Mondrian - Image 7
Composition No. 4 with red and blue by Piet Mondrian - Image 8

Composition No. 4 with red and blue by Piet Mondrian

Composition No. 4 with Red and Blue is a measured dialogue between two primaries held apart by Mondrian's characteristic black grid. The red and blue rectangles are placed with the exactness of a mathematical proof — neither dominating, both answering. White planes breathe between them, giving the composition its sense of suspended balance. It is a textbook moment of Neoplasticism: colour reduced to essence, form reduced to right angles, emotion stripped of everything personal.

Produced as an archival fine art print in our Berlin studio, the hard geometry and flat primaries come through with full sharpness and clean line definition throughout.

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Composition No. 4 with Red and Blue is a measured dialogue between two primaries held apart by Mondrian's characteristic black grid. The red and blue rectangles are placed with the exactness of a mathematical proof — neither dominating, both answering. White planes breathe between them, giving the composition its sense of suspended balance. It is a textbook moment of Neoplasticism: colour reduced to essence, form reduced to right angles, emotion stripped of everything personal.

Produced as an archival fine art print in our Berlin studio, the hard geometry and flat primaries come through with full sharpness and clean line definition throughout.

Composition No. 4 with red and blue by Piet Mondrian | Kuriosis