Bauhausbücher 6 by Theo van Doesburg
Designed by Theo van Doesburg as the cover for the sixth volume of the landmark Bauhausbücher series, this piece is a compact masterwork of De Stijl graphic design. Bold primary-coloured rectangles are arranged against a white ground with confident typographic integration — the layout itself an argument for the unity of visual art, design, and architecture. Published in 1925, it embodies the Bauhaus ambition to merge fine art with functional design, and Van Doesburg's conviction that geometry could be a universal visual language.
Reproduced as an archival fine art print in our Berlin studio, the typographic precision and flat colour blocks are captured with the sharpness that graphic design of this exactitude demands — a fine art print for Bauhaus and modernism enthusiasts.
Original: $17.42
-65%$17.42
$6.10More Images
Bauhausbücher 6 by Theo van Doesburg
Designed by Theo van Doesburg as the cover for the sixth volume of the landmark Bauhausbücher series, this piece is a compact masterwork of De Stijl graphic design. Bold primary-coloured rectangles are arranged against a white ground with confident typographic integration — the layout itself an argument for the unity of visual art, design, and architecture. Published in 1925, it embodies the Bauhaus ambition to merge fine art with functional design, and Van Doesburg's conviction that geometry could be a universal visual language.
Reproduced as an archival fine art print in our Berlin studio, the typographic precision and flat colour blocks are captured with the sharpness that graphic design of this exactitude demands — a fine art print for Bauhaus and modernism enthusiasts.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Designed by Theo van Doesburg as the cover for the sixth volume of the landmark Bauhausbücher series, this piece is a compact masterwork of De Stijl graphic design. Bold primary-coloured rectangles are arranged against a white ground with confident typographic integration — the layout itself an argument for the unity of visual art, design, and architecture. Published in 1925, it embodies the Bauhaus ambition to merge fine art with functional design, and Van Doesburg's conviction that geometry could be a universal visual language.
Reproduced as an archival fine art print in our Berlin studio, the typographic precision and flat colour blocks are captured with the sharpness that graphic design of this exactitude demands — a fine art print for Bauhaus and modernism enthusiasts.
