Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky
Designed for the landmark 1923 Bauhaus Ausstellung in Weimar, this poster is a manifesto in visual form — concentric circles radiating outward from a grid of geometric precision, primary colours arranged with the logic of a composer scoring for eye rather than ear. Kandinsky's belief that shape and colour could carry emotion independent of representation finds its purest graphic expression here: the image needs no subject beyond its own formal relationships. Blue, red, yellow, and black hold together in dynamic equilibrium, a composition as alive today as when it announced the future of design.
Produced as an archival fine art print in our Berlin studio, the hard-edged geometry and saturated primaries come through with exceptional sharpness and clarity. This is a print where precision matters — and every line earns it.
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Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky
Designed for the landmark 1923 Bauhaus Ausstellung in Weimar, this poster is a manifesto in visual form — concentric circles radiating outward from a grid of geometric precision, primary colours arranged with the logic of a composer scoring for eye rather than ear. Kandinsky's belief that shape and colour could carry emotion independent of representation finds its purest graphic expression here: the image needs no subject beyond its own formal relationships. Blue, red, yellow, and black hold together in dynamic equilibrium, a composition as alive today as when it announced the future of design.
Produced as an archival fine art print in our Berlin studio, the hard-edged geometry and saturated primaries come through with exceptional sharpness and clarity. This is a print where precision matters — and every line earns it.
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Designed for the landmark 1923 Bauhaus Ausstellung in Weimar, this poster is a manifesto in visual form — concentric circles radiating outward from a grid of geometric precision, primary colours arranged with the logic of a composer scoring for eye rather than ear. Kandinsky's belief that shape and colour could carry emotion independent of representation finds its purest graphic expression here: the image needs no subject beyond its own formal relationships. Blue, red, yellow, and black hold together in dynamic equilibrium, a composition as alive today as when it announced the future of design.
Produced as an archival fine art print in our Berlin studio, the hard-edged geometry and saturated primaries come through with exceptional sharpness and clarity. This is a print where precision matters — and every line earns it.
